Starts with 25 pages on JEAN-PAUL GAULTIER and his way of epitomizing way ahead of his peers gender fluidity through his 1984 collection UNE GARDE-ROBE POUR 2, portraits of HANNELORE KNUTS, JOHANNES SCHWEIGER, image-maker MELKA TREANTON and an essay on CHRISTOPHE LEBOURG return to cleanness and basics back in 1984.